The seeds of origin for much of the current work can be traced to Evans’ love of the outdoors and a desire to transmute the physicality of experience to the work of art. The paintings retain a strong sense of the hand of the artist. They are as much lovingly crafted sculptural objects as they are works engaging in the abstract language of painting.

In the most recent paintings, color is applied in broad strokes, often painted wet on wet, to form loose, rhythmic patterns. Some of the panels are dense and opaque concentrations of a single color. Other panels are translucent washes, acting almost as windows through the work. Underlying all is a sense of energy, an exuberant impatience eager to break free of the order imposed.

The origins of pattern and color, so prevalent in the later paintings, began in the sculptural assemblages, and highly textured surfaces of the earlier paintings. In many of the current works, echoes of this dimensional lineage remain, providing structural counterweight to color. Object and paint harmonize in a fusion of form and color – and sing the eloquent song of the artist’s journey.